![]() The maqams are the way Arabic music defines melody. ![]() This confluence is likely due to the vastness of the Islamic Ottoman empire and the trade routes within it.Ĭonsequently, when looking at the boundaries of Arab countries as we know them today, we find that Arabic, Turkish, Armenian, and Byzantine music have maqams for melody and the dumbek system for rhythm. Later with the rise of the vast Ottoman Empire from the 13th to the early 20th century, Ottoman music had been influenced by Byzantine, Armenian, Arabic and Persian music. By the 11th century, Islamic Spain was the center of manufacture of musical instruments, which ultimately found their way to Europe. Later in the 13th century, Safi al-Din al-Urmawi (1216- 1294 AD) developed musical notation for rhythm using geometric notation, which did not appear in the Western world until the late 20th century. A physicist named Abū Naṣr al Fārābī (870-950 AD) published the Large Book of Music in which he documents pure Arabian tone system of maqams, still used in Arabic music today. During the ninth and tenth centuries, scholars pulished the first encyclopedic collections of poems and music. The word “mussiqa” was used for the first time in Arabic. ![]() In the early Islamic period, Greek music principles were translated by Muslim scholar Isḥāq al-Kindī (801-873 AD), who ultimate published 15 articles on music theory.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |